By Burton D. Fisher
A handy, pocket-sized consultant to Verdi's AIDA which comprises the relevant CHARACTERS within the opera, the tale SYNOPSIS, a tale NARRATIVE WITH ONE-BAR tune spotlight examples, and an essay supplying history concerning the opera and its composer, research, and insightful statement.
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Extra resources for Aida (Opera Journeys Mini Guide Series)
These are powerful words, words that could almost stand alone without musical underscoring, and words which perfectly express the situation; however, when these words are fused with the music, they add explosive immediacy to the action, and a shuddering clarity and vividness to the dramatic structure. In this powerful showdown between two princesses, Amneris is at first inquisitorial, devious, and cunning, using every tool in her arsenal to learn the truth. Is Aida having a secret love affair with Radames?
The emotive power of Verdi’s music reveals her desperate soul. But Radames is indifferent and unsympathetic, and Amneris realizes that she has lost Radames to Aida. The split stage configuration in the final scene of Aida was Verdi’s own idea. Below, Radames despairs in his sealed tomb, and above, in the temple, Amneris sobs on the stone that has been sealed. In ancient Egypt, life on earth was closely tied to death; earthly life was only a passage to the afterlife, and heaven was a blessed welcome.
It is a work with opulent musical color, gorgeous orchestral instrumentation, and melodic splendor and beauty in every musical measure. The only Italian opera composer who has rivaled Aida is Verdi himself, who would resurface 15 years later with perhaps the ultimate music drama, Otello, and later with Falstaff—the great Italian master’s reconciliation with the evolution of the operatic art form; the Italian music of the future. In Aida, Verdi ennobled powerful, towering, and intense human emotions and passions as each character faces conflicts of love, honor, and duty.
Aida (Opera Journeys Mini Guide Series) by Burton D. Fisher