By Donna Hollenberg

ISBN-10: 0520954785

ISBN-13: 9780520954786

This primary full-length biography of Anglo- American poet and activist Denise Levertov (1923-1997) brings to existence one of many significant voices of the second one 1/2 the 20th century, while American poetry was once a robust impression around the globe. Drawing on exhaustive archival learn and interviews with seventy five acquaintances of Levertov, in addition to on Levertov’s complete opus, Donna Krolik Hollenberg’s authoritative biography captures the entire complexity of Levertov as either lady and artist, and the dynamic global she inhabited. She charts Levertov’s adolescence in England because the daughter of a Russian Hasidic father and a Welsh mom, her event as a nurse in London in the course of WWII, her marriage to an American after the conflict, and her flow to ny urban the place she grew to become a tremendous determine within the American poetry scene. the writer chronicles Levertov’s position as a passionate social activist in risky occasions and her significance as a instructor of writing. ultimately, Hollenberg exhibits how the non secular size of Levertov’s poetry deepened towards the top of her existence, in order that her ultimate volumes hyperlink lyric conception with political and spiritual dedication.

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With his expressive singing style, new range of songs and clear feel for the lyrics, he brought an authenticity which had previously been lacking. 7 Bert’s records provided singers like Shearston, Kempster and Fingleton with the sort of material they were looking for, as Ron Edwards pointed out in ‘The Cult of Lloyd’ (Northern Folk, September 1966), his critique of Bert’s recorded material: ‘His collection is far more than unique, it is almost miraculous. ’ In December 1968, in a poll conducted by the magazine National Folk, Bert was voted ‘Best Performer of Traditional Australian Material’, an award that must have stuck in John Meredith’s craw.

Allen was a journalist on the Daily Worker, Norma (whom Bert would eventually marry) worked at the offices of ARCOS (All Russian Cooperative Society Ltd) as a secretary, and Leslie was on the CP Executive Committee.

Although he later claimed to have been happy enough sitting round the bunkhouse table joining in a singaround, in which two or three circuits of the table would produce some eighteen songs (popular songs of the day such as ‘My Blue Heaven’ as well as shearing, droving, drinking, and bush-ranging ballads), his real love was classical music. He scoured the HMV (for whom he would eventually record) and Columbia catalogues for 78rpm records to play on his gramophone. What is recorded in his letters home to his aunties is the tremendous enthusiasm and passion he developed for classical music.

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A Poet's Revolution: The Life of Denise Levertov by Donna Hollenberg


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